名人朗诵黑人作家的儿童书籍，以简单易懂的方式与儿童讨论同情心、平等、自爱和反种族主义话题。

当心狠手辣的王子威胁着要使世界陷入黑暗时，一名训练有素的年轻骑士蒂里（艾米尔·威尔逊 饰）开始了史诗般的任务——给国王送一封密信。 一路上，他意外地发现自己处于一个神奇预言的中心——一个英雄将崛起，击败王子并恢复和平。 如果他要完成这趟旅程，必须了解成为一名真正的骑士、领导者意味着什么。 故事根据同名畅销小说改编，主演还有露比·塞尔基斯、泰达·格雷厄姆和吉斯·布洛姆。 《国王的信使》由威尔·戴维斯（《驯龙高手》、《憨豆特工》、《穿靴子的猫》）担任编剧及监制。 保罗·特里比斯（《大梦想家》、《初恋这首情歌》、《偶发空缺》）同为监制。 这部6集的原创剧集由FilmWave制作。

当心狠手辣的王子威胁着要使世界陷入黑暗时，一名训练有素的年轻骑士蒂里（艾米尔·威尔逊 饰）开始了史诗般的任务——给国王送一封密信。 一路上，他意外地发现自己处于一个神奇预言的中心——一个英雄将崛起，击败王子并恢复和平。 如果他要完成这趟旅程，必须了解成为一名真正的骑士、领导者意味着什么。 故事根据同名畅销小说改编，主演还有露比·塞尔基斯、泰达·格雷厄姆和吉斯·布洛姆。 《国王的信使》由威尔·戴维斯（《驯龙高手》、《憨豆特工》、《穿靴子的猫》）担任编剧及监制。 保罗·特里比斯（《大梦想家》、《初恋这首情歌》、《偶发空缺》）同为监制。 这部6集的原创剧集由FilmWave制作。

《给青年的信》以书信为载体，聚焦新征程青年奋斗场景，讲述各行各业的青年代表在新时代与党和国家一起经历的进步与变化。

Godard has been hired to make a film celebrating the 500th anniversary of Lausanne. This film is his videotaped refusal.

Godard has been hired to make a film celebrating the 500th anniversary of Lausanne. This film is his videotaped refusal.

Yohei Yamakado has not returned to his native Japan for eight years; his friend Olivier Cheval therefore embarks on an exploration of the land of the Rising Sun, evoking his friend’s memories, almost in a re-enactement of his friend’s life by proxy. Cheval travels, moving from Tokyo to Kyoto, from Kobe to Lake Towada, and in the meantime he juggles, in an equally exploratory way, between childhood and memory, between exile and friendship, making the invisible tangible. 　　Olivier Cheval’s introspective journey rule out any touristic filter and, on the contrary, from every image and landscape tries to materialize what is not physically there. A sort of sequel to a previous correspondence between the director and Yamakado (Lettres sur la peste, La Découverte/lundi matin, 2022), it is at the same time a whispered reflection on the standardization of urbanism and architecture, which uses that border between estrangement and recognizability to take on the fascinating features of a ghost-movie.

Yohei Yamakado has not returned to his native Japan for eight years; his friend Olivier Cheval therefore embarks on an exploration of the land of the Rising Sun, evoking his friend’s memories, almost in a re-enactement of his friend’s life by proxy. Cheval travels, moving from Tokyo to Kyoto, from Kobe to Lake Towada, and in the meantime he juggles, in an equally exploratory way, between childhood and memory, between exile and friendship, making the invisible tangible. 　　Olivier Cheval’s introspective journey rule out any touristic filter and, on the contrary, from every image and landscape tries to materialize what is not physically there. A sort of sequel to a previous correspondence between the director and Yamakado (Lettres sur la peste, La Découverte/lundi matin, 2022), it is at the same time a whispered reflection on the standardization of urbanism and architecture, which uses that border between estrangement and recognizability to take on the fascinating features of a ghost-movie.

2300年、木星はゴミ捨て場として利用された為に環境破壊を引きおこし、木星を取り巻くスペースデブリ（宇宙ごみ）が怪獣デブリタウロス、デブリファルドとなる。 　　2019年、自分の名を呼ぶ不思議な少女ルリの声を聞いたイクルは、光に包まれ、気がつくと少年の姿で、2300年の火星にいた。イクルは、火星を守るため、ウルトラマンティガとなり、怪獣デブリタウロス、デブリファルドに立ち向かってゆく。

A contemplation of the New Soviet Man runs head-first into a romantic comedy with music in this film from the Soviet Union, which was highly controversial upon initial release. Dr. Stepanov (Yuri Yurev) is a well-known and gifted surgeon whose talent is matched only by his arrogance; he constantly bosses around his assistant, Fydor (Maksim Straukh), and his wife, Masha (Olga Zhizneva). Masha is beautiful and a great deal more charming than her husband, and she soon attracts the attentions of Grisha Fokin (Dmitri Dorliak), a young man who is quite infatuated with her. As Grisha pursues Masha, the characters debate the role of free love and free will within the Soviet social and political economy, as well as the juncture of the body and the mind. Strogiy Yunosha ran into considerable oposition from government censors once it was completed, and was banned by Soviet authorities after only two months of release, which led to director Abram Room's banishment from Ukrainfilm Studio. The film was later revived as part of the retrospective "Another History Of Soviet Films 1926-1968," which was presented at the 53rd Locarno Film Festival in August, 2000. ~ Mark Deming, All Movie Guide